Documents held in
the British Artists' Film and Video Study Collection
(title, author,
publication, date, etc, included where known)
CV to 2001.
“Goldfish Memoires”
at World Wide Video Festival Robert Fischer Neue Zurcher Zeitung no. 22,
#99, 29th April 1994;
“This Property has
be Repossessed” Christine Tamblyn Frame/Work LACPS (Los Angeles Centre
for Photographic Studies), April 1989 [long essay on ‘Intellectual Properties’];
“The Primal Code”
(re. ‘Intellectual Properties’), Simon Biggs, Mediamatic, January 1987;
“Property Rights”
(re. ‘Intellectual Properties’), Steven Bode, Independent Media, January
1987;
“The Relationship
of Picture, Copy and Reality: Videos by John Adams”, Lothar Kurzawa, TAZ,
22nd May 1986;
“Tele-vision”
Wolfgang Preikschat, Berlinale-tip, 1986;
“Video
Schlaraffenland” Teo Ranwag Zitty, no. 4, 26th February 1986;
“John Has Videos
All Taped Up” newspaper cutting [Newcastle early 80s];
“John Adams”
profile in Film and Video Artists’ On Tour, Arts Council 1985/6;
“Copying TV’s
Comedy of the ‘50s” [re. ‘Intellectual Properties’], Jay Carr, The Boston
Globe, 18th November 1985;
“Performance and
Video”, Tamara Krikorian [on Basement Group] Art Monthly, April 1983;
Articles and
reviews by the artist
“John Adams –
Goldfish Memoirs & the Think Tank” Tyne International catalogue 1993;
Description of
‘Intellectual Properties’, 1985;
Production notes
for ‘Intellectual Properties’, 1985;
“John Adams” [on
video art] Independent Video (video Art Special) March 1984;
Production details
for ‘Goldfish Memoirs’, 1983;
Notes, and original
script material for ‘Sensible Shoes’ 1983;
Report on the San
Sebastian Film & Video Festival 1983;
Notes, and original
script material for ‘Bob and Jill part 2’ 1982;
‘Letter to Jim’ and
other original script and editing material relating to ‘Stories’ 1981;
Description of and
installation diagram for ‘Kick in the Eye’, 1979;
Description of
‘Reflections in a White Room’ 1978;
‘Intellectual
Properties’, 1985 at WW Video Festival 1986;
Film Video and
Artists on Tour, Arts
Council of Great Britain, 1985;
‘Bob & Jill’
‘Sensible Shoes ‘ Stories’ Video Supplement 3, Arnolfini Video
[library], 1983;
‘Jamaica Plain by
John Adams’ ICA Boston June 1989;
‘Intellectual
Properties a Film on Video by John Adams’ (poster) Tyneside Cinema 26th
January 1986;
Basement Group
programme June-July 1983;
Proposal for
Sheffield Poly Video Fellowship 1983-4;
‘A proposal – the
outrageous Game’ c1982;
2x photocopy
images, one of ‘Bob and Jill Part II’, 1985;
Letter from John
Adams to David Curtis re ‘Sensible Shoes’, 15th June 1983;